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Jazz Combo

Original music for small jazz groups. Browse the complete collection together or filter by two- and three-horn instrumentation.

320 Sycamore

Two-Horn Jazz Combo320 SycamoreSet in a flowing 12/8 feel, 320 Sycamore combines dynamic rhythmic shifts with a modern diatonic palette designed for engaging, accessible improvisation. Open sections at the beginning and end invite the rhythm section to shape each performance in its own way.

Bombadil

Two-Horn Jazz ComboBombadilThis odd-meter piece weaves shifting rhythms and intricate ostinatos into an ever-evolving texture. A harmonically rich rhythm-section landscape supports the melody and solos, while sudden 13/8 passages keep players and listeners alert.

Essência

Two-Horn Jazz ComboEssênciaInspired by Brian Blade & The Fellowship Band, Essência opens with a hypnotic guitar ostinato beneath the rhythm section’s swirling harmony. The horns weave a lyrical line above the texture as unexpected rhythmic turns keep the performance in motion.

Krock Pot

Two-Horn Jazz ComboKrock PotThis straight-ahead swing tune opens with lively horn counterpoint before launching into an energetic solo section with generous room for improvisation.

Perpetual

Two-Horn Jazz ComboPerpetualOriginally written for four horns, Perpetual is one of the composer’s most structurally intricate combo works. Written piano solos frame an even-eighth central section filled with modern harmonic shifts and unexpected turns. A lyrical horn melody takes center stage while the rhythm section supplies playful, dynamic interplay.

Synergy

Two-Horn Jazz ComboSynergyThough it remains in 4/4, Synergy creates constant rhythmic tension through intricate interplay, swirling harmony, and an angular melody. The chart offers a substantial ensemble challenge with an energetic, rewarding payoff.

Apprentice

Three-Horn Jazz ComboApprenticeIn the spirit of John Coltrane’s “Impressions,” this up-tempo swing tune opens broad spaces for modal improvisation. Unexpected rhythmic turns in the melody keep the familiar framework fresh.

Artois

Three-Horn Jazz ComboArtoisA deconstruction of “Stella by Starlight,” Artois preserves key melodic elements while rebuilding the harmony around a fresh modal progression and an entirely new form. The result balances recognition with surprise.

Blue Peace

Three-Horn Jazz ComboBlue PeaceThis even-eighth piece uses a colorful modern diatonic palette inspired by Maria Schneider and the broader contemporary large-ensemble tradition, recast here for an intimate three-horn combo.

Blues for Wayne

Three-Horn Jazz ComboBlues for WayneWritten in tribute to Wayne Shorter, this piece retains the 12-bar blues form while reimagining its harmony through a modal lens. The result sounds contemporary without losing the music’s essential blues character.

Fall Foliage

Three-Horn Jazz ComboFall FoliageFall Foliage combines a deep funk groove with modern suspended harmony and a vivid melodic palette. Its chord progression grows from the composer’s big-band arrangement of “Autumn Leaves,” offering a new angle on the familiar standard.

Looking Back

Three-Horn Jazz ComboLooking BackThis expansive jazz waltz uses distinctive harmonic motion and melodic common tones to create a relaxed, melancholy atmosphere. Two solo sections move from the melody’s original changes into open modal harmony, giving improvisers contrasting terrain to explore.

Open Worlds

Three-Horn Jazz ComboOpen WorldsDistinctive harmony and an angular melody drive this challenging odd-meter tune. Its 7/4 solo section gives improvisers a focused opportunity to develop confidence and fluency in an asymmetrical meter.

Strange Resemblance

Three-Horn Jazz ComboStrange ResemblanceStrange Resemblance begins with an original 24-bar modal blues and Oliver Nelson–inspired horn voicings before moving into a contrafact on “There Will Never Be Another You.” Solos on the unusual opening form and recurring horn soli give the piece variety, texture, and forward motion.

Valediction

Three-Horn Jazz ComboValedictionThis expressive ballad pairs an unconventional 6–7–8-bar form with an advanced harmonic palette, giving performers generous space to shape the music with nuance and individuality.

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